Wednesday, February 25, 2015

Farewell, Parks and Recreation


Another massive binge-watch pays off!

Admittedly I resisted NBC's Parks and Recreation for most of its seven-season run.  Frankly, I'm not usually a fan of this type of comedy (workplace-documentary style a la The Office).  Even when a good friend of mine began recurring, I still didn't watch.  But when a lull in the regular TV season came along and I had the chance to binge on a series, I chose P&A and I'm so glad I did, especially since I was able to catch up just in time to enjoy the last few episodes (series finale aired last night) right along with everyone else.

 

This perky ensemble comedy features a family of delightful, rich, fully-realized characters who work in the Parks Dept. of Pawnee, Indiana, led by the eternally positive public servant pistol Leslie Knope (Amy Poehler, Saturday Night Live), along with steadfast man's man Ron Swanson (Nick Offerman, Children's Hospital), hustling entrepreneur/mogul wannabe Tom Haverford (Aziz Ansari, Bob's Burgers), perpetually sarcastic and apathetic April Ludgate (Aubrey Plaza, Portlandia), loser boyfriend-turned sweet-hearted goof Andy Dwyer (Chris Pratt, Guardians of the Galaxy, The O.C.), fitness-obsessed optimist Chris Traeger (Rob Lowe, Brothers & Sisters), accountant and finely butted Ben Wyatt (Adam Scott, Tell Me You Love Me), nurse and Leslie BFF Ann Perkins (Rashida Jones, Web Therapy), sassy diva Donna Meagle (Retta) and sweet, bumbling, butt-of-every-joke Gary Gergich (Jim O'Heir).


Over the course of the show this loveable group tackles highs and lows, successes and failures, job changes, marriage, children and more, all under the loving eye of Leslie, who was determined to have all her dreams and the dreams of those she loves come true and stay endlessly positive, even when her beloved town repeatedly let her down.  It only made her work harder and made her simultaneously annoying and endearing, a feat accomplished to perfection by Poehler.


I wasn't won over right away but I stuck with the binge, determined to make it through, It turned in season three when Scott and Lowe joined the cast.  That's when it really gelled and came alive for me, and I started to heartily laugh out loud consistently, eagerly anticipating each next episode. 

I'm so happy the show was given a final season to properly wrap things up, which they did so cleverly, first by time-jumping ahead to the year 2017 to see where everyone was at, then, in last night's finale, jumping ahead again to various years in the future (2019, 2022, 2025) to see how they each progressed in their lives while still keeping in touch with each other.

Thanks to Hulu and I think also Netflix for having the entire series available to those of us who came to the P&A party late and to revisit again and again.  If you're like me and haven't watched, please set aside time to visit Pawnee and its kooky, adorable members of the Parks Dept. You'll be glad you did!


Thursday, February 19, 2015

Review - The Odd Couple


Why, CBS, Why?

On the eve when in my opinion one of the worst sitcoms on TV finally ends (good riddance Two and a Half Men!), CBS opts to premiere the remake of The Odd Couple, sufficiently filling Men's god-awful shoes.

THE LOWDOWN (though probably not necessary to most people)
This latest version, based on Neil Simon's 1965 play of the same name, stars Matthew Perry (Friends, Studio 60 on the Sunset Strip) as sportscaster and eternal slob Oscar Madison, and Thomas Lennon (Reno 911!, Sean Saves the World) as uptight neat freak Felix Unger, two former college buddies who become unlikely roommates after the demise of their marriages. It’s not long after Oscar lets Felix move in that Oscar fears he’s made a monumental mistake. However, despite how exasperated they make each other, these mismatched friends agree they can help each other move on from their divorces and somehow make their crazy living arrangement work.

Personally, I have a long history with The Odd Couple.  I watched the original TV version starring Tony Randall as Felix and Jack Klugman as Oscar - which was incredibly funny and well-played. 

 

I watched the movie starring legends Jack Lemmon as Felix and Walter Matthau as Oscar - that brought stage to screen. 

 

And I starred in the female version of the play in high school (the characters became Florence (me) and Olive). It's a great premise and made for some fun comedy ... in those other versions.  Here it's sad, a little desperate, completely unoriginal, unnecessary and a waste of the talent of its cast.

Yep, it's really terrible.

 

To see talents like Perry, who is trying waaaaay to hard and is completely miscast (he co-created this version, so he no doubt got to choose his role), Lennon (who is more believable but doing really nothing original), Yvette Nicole Brown (Community) - maybe she'll come back to Greendale when this monstrosity goes away? - and Dave Foley (News Radio, Hot in Cleveland) just stagnant in this crap ... ugh.

The pilot literally slam-packs the play into 22 minutes, even using lines directly pulled right from the script (I should know, I spoke and reacted to them when I did the play!).  Lennon has adopted his version of Felix's sinus-clearing honk, but ultimately no one can beat Randall's.  The disarray of Oscar's apartment we first see in the pilot's opening scene looks forced and unauthentic (hanging shirts randomly about does not a true slob make).

I could go on but frankly, I'd rather not waste any more time on this debacle.  Hopefully this new-old Odd Couple will have a mercifully short life and free up the cast to do better things (Yvette, Community!  Matthew, another Studio 60!).  If you can find it, the Randall-Klugman series is so much more worth watching, as is the film.

The Odd Couple airs Thursdays at 8:30pm on CBS.


(If I had half a TV I'd use that.  This whole one is generous.)

Sunday, February 8, 2015

Review - Better Call Saul

 

Many a successful series has tried to continue magic created by spinning off a regular or popular character into their own show.  Some have succeeded (The Jeffersons and Maude came from All in the Family, Mork & Mindy from Happy Days, Frasier from Cheers, Xena from Hercules, The Flash from Arrow, multiple Law & Orders,CSIs and NCISs from the originals), some not (A Different World (The Cosby Show), Criminal Minds: Suspect Behavior (Criminal Minds), some of the aforementioned Law & Orders and CSIs).  So when AMC announced that it was spinning off Bob Odenkirk's sleazy, fast-talking lawyer character Saul from the Brilliant Breaking Bad into his own series, I personally wondered if the character could carry a show on his own.  I mean, it's a great supporting character that added a lot to BB, but is it an interesting enough one with enough individual story to carry on as the lead?  Tonight, we got to see.

THE LOWDOWN

Created by Vince Gilligan (who also created BB), Better Call Saul is a prequel to BB, taking us six years before Saul became Walter White’s (Bryan Cranston) lawyer. When we meet him, he's not yet Saul, but instead is Jimmy McGill, a small-time public defender searching for his destiny, and, more immediately, hustling to make ends meet.

 

Working alongside, and often against, Jimmy is "fixer" Mike Ehrmantraut (Jonathan Banks), the popular hitman introduced in BB. The series tracks Jimmy's transformation into Saul Goodman, the man who puts "criminal" in "criminal lawyer" and "the guy who knows a guy who knows a guy ... who knows a guy."  The series co-stars Michael McKean (Smallville, The X-Files), Rhea Seehorn (Franklin & Bash), Patrick Fabian (Big Love), and Michael Mando (Orphan Black).

The pilot opened with a beautiful black-and-white vignette.  At first you're not sure of the time period because of the music played and vague close-ups, but eventually we see its a modern day mall, specifically a Cinnabon.  We see a balding, bespeckled, mustached man making the rolls and doing his job.  He looks like any average joe.  But knowing the show we're watching, we know it's actually Saul, in his new, unflashy, mundane life as Joe Nobody, having had to ditch his old persona for his own freedom and safety after the events that happened in BB's final season.  As we later see him in his sparse little home, we see that he still longs for his old life as he watches an old tape of his Better Call Saul cemmercials.  Man, the guy has a sad existence.

 

But then we're taken back to an undisclosed year (a time when VHS still existed) where we see Saul, or Jimmy, in his lawyer years, feeling like the king of the courtroom, showcasing with confidence and bravado.  No denying we're in for a fascinating trip from A (Jimmy) to B (Saul and his current life).  The series has already been picked up for season 2, so we'll get pretty far on that path).

Odenkirk lives and breathes this character and it shows.  You kinda wanna shower after contact with him - I mean, the desperation alone - but you also feel for the guy (he drives a piece of crap car and his office is in the back of a manicure shop, for cripes sake!).  I love the way the show is shot (at least the pilot, which was helmed by Gilligan).  There's a particularly brilliant car accident shot from inside the car that makes you feel shaky like it happened to you. 

While this isn't Breaking Bad - a must-see series for anyone and everyone - it does have a draw that makes you want to take the ride to see just how Saul's progression came about and all the ups and downs that will inevitably be involved, though seriously, how can things be any lower for him at time we first meet him here?  There were so many surprises in BB you never saw coming, you can trust in Gilligan and his team to continue that brilliance here, though maybe in a different way.  For that reason, and for its great cast, I'll commit to this 10-episode run and look forward to the unfolding of Saul's story.



Better Call Saul airs Mondays at 10pm on AMC.

Wednesday, February 4, 2015

Review - Fresh off the Boat

 

ABC premiered its latest family comedy tonight, Fresh off the Boat.  Certainly seems like the right network for it seeing as how ABC has the most family-centered sitcoms on the air right now, most f them big successes including Modern Family, The Middle, The Goldbergs and most recently, Black-ish.  From what I know, this seems like the Asian version of the latter, and since I didn't really care for that one, I wondered how I would feel about this.  So what did I think?

THE LOWDOWN
In Fresh off the Boat, it’s the '90s and 12 year old, hip-hop loving Eddie Huang (Hudson Yang) just moved to suburban Orlando from DC’s Chinatown with his parents Louis and Jessica (Randall Park, seen recently in the infamous movie The Interview playing Kim Jong Un, and Constance Wu). It’s culture shock for his immigrant family in this comedy about pursuing the American Dream. Co-stars Ian Chen and Forrest Wheeler as siblings Even and Emery.

Going in, I was pretty sure this sitcom was going to be full of Asian stereotypes, which would be a shame, being that this is the first Asian family-focused show that I can name as ever existing on TV (there aren't that many Asians on air/recently on air I can actually name en masse, save Daniel Dae Kim and Grace Park on CBS' Hawaii Five-0, John Cho on the recently cancelled Selfie, Margaret Cho on the recently ended Drop Dead Diva and Jadyn Wong on CBS' Scorpion, to name a few).

 

Right off the bat I felt like I was watching an Asian version of The Goldbergs: a period piece (TG takes place in the 80s, this in the mid-90s) with voice-over from the center-focus kid as an adult (TG, it's Adam, here it's Eddie) as he describes what life in his family was like (both shows coincidentally are based on their real respective childhoods).  Eddie's adult self sounds like a rap-gangsta wannabe, which they establish by showing younger Eddie's hip-hop fascination (complimented by the show's soundtrack). 

Mom Jessica is the only one with a thick Asian accent and there are no Asian-typical names (though they apparently have them by birth, as shown when Eddie's teacher attempts to introduce him to the class, brutally slaughtering the pronunciation ...  the clan seemingly opts for easier American names), so they're not playing up the stereotype nearly as much as the forced attempt to portray suburban neighborhood moms who cluster together in a brightly-dressed cult-like manner (we first meet them as they roll by in their daily group rollerblading outing, giant smiles and aweness over their new ethnic neighbors - guess there really aren't a lot of Asians in Florida).  Of course Jessica jumps right in to make an effort to fit in, despite hating every minute of it.  Can't say she's necessarily a character to root for.  I have more respect for TG's Wendy McLendon-Covey's smothering Beverly (she is who she is and apologizes for and conforms to nothing).  I do appreciate Jessica's tendency to be passive-aggressive with Louis, but it's not funny enough. 

Part of the story involves Louis fulfilling his dream to own a western-themed restaurant.  See, that's supposed to be funny too, I think ... what could be more fish out of water?  What's funnier than a fish-out-of-water element, right?  Here, it's not so much.  Also, I've never been to DC's Chinatown, but as portrayed here it supposedly is very close to life in China, as we are shown when Jessica goes shopping at a very clean, quiet grocery store but yearns for the Taiwanese markets that "made her feel so calm" - to which we cut to a jam packed market full of people shouting all at once while clutching and grabbing for the surrounding food.  Obviously mom is not happy with the Americanization of her family.

Guess that's why they call this Fresh Off the Boat? Because it's such a culture shock for the family, even though they didn't move directly from Taiwan, but just from a different part of America?  Title would make more sense with the former.

I do respect the message given to us at the close of the pilot episode, about why Louis uprooted his family to their new home and wants to stick it out despite their initial obstacles (Jessica's displeasure (the humidity is murder on her hair), the change in culture, Eddie being bullied at school (the show actually had a classmate call him c**nk - pretty bold considering the severity of that word).  After Eddie fought back and Louis and Jessica defended his actions to the principal, Louis laid it out for his family:

 

"I'm sorry for what happened to Eddie but it's going to make him stronger.  In fact coming to this new place, it's going to make us all stronger.  I came down here and opened a wild west restaurant because this is the wild west!  A lawless land only for the bravest of families.  There is opportunity here to make a better life for our family.  Things were okay for us in DC, but I want more than okay for us."

Can't argue with that.  Two episodes aired tonight, and the second brought Jessica more into the forefront, establishing that she is her own kind of smother (ABC really loves that character trait).  Still didn't win me over.  I guess there's room for only one type of this show for me, and it's The Goldbergs, which I highly recommend.  But if you like family comedy, ABC certainly has plenty to go around, and you may enjoy this show more than I did.  I welcome you to give it a shot (but really, The Goldbergs is funnier.)


Fresh Off the Boat airs Tuesdays at 8pm on ABC.



Thursday, January 29, 2015

Farewell, Parenthood


Many a television series have I seen end their runs, and I've definitely shed a lot of tears over quite a few finales that have been done well.  But having been with NBC's brilliant Parenthood from the very start and having watched this final season unfold knowing a little of what they had in store for us, I must say I had a full box of tissues at the ready and warned people seeing me tomorrow morning that I'd likely have very puffy eyes from bawling over the finale.  *sniff* I wasn't entirely wrong.  I certainly cried.  But I also laughed and sighed and was thoroughly uplifted.


First, let me know advise, nay, BEG you all to go back and watch Parenthood - based on the 1989 Ron Howard film starring Steve Martin - from episode one (seasons 1-5 are available to stream on Netflix) because it is one of the best family dramas ever done.  A terrific, solid cast of veterans became the Bravermans, including Craig T. Nelson (Coach), Peter Krause (Six Feet Under), Lauren Graham (Gilmore Girls), Monica Potter, Bonnie Bedelia, Dax Shepard, Erika Christensen, Joy Bryant, Sam Jaeger, Mae Whitman, Ray Romano (Men of a Certain Age) and a great group of young actors (Max Burkholder, Savannah Paige Rae, Miles Heizer, Tyree Brown, Sarah Ramos, and Xolo Mariduena) we've watched grow up before our eyes.  Full of humor as well as drama, you truly feel like you're watching a real family deal with a slew of issues and problems but also laugh, celebrate and triumph together.  Breast cancer, sex, marital problems, Asperger's, the poor economy, pregnancy (unexpected and later-in-life), homosexuality, adoption, bi-racial relationships, bullying, PTSD, and finally, death - this show has tackled it all with precision, perfection, realism and heart.


*sniff* *nose blow* *sniff*

I'm not going to go into detail about what happened in the finale, except to say that it was exceptional - funny, sad, heartwarming and capped brilliantly, taking a cue from the amazing Six Feet Under finale (which I'm sure made Krause smile) by ending in a similar way: a montage giving us a look into the future to see how the Braverman clan grows and where each branch goes in their respective lives.

I am so glad NBC stuck with this series despite never being a ratings darling, and gave it a chance to have a proper ending.  It's a gift I and many other fans are grateful for.  I can't stress enough how good Parenthood is, consistently episode to episode.  I will truly miss my nights with the Bravermans, and hope many more people discover them and join the extended family of fans that I'm proud to be a part of.

Adieu, Parenthood.  I *sniff* miss you already.

Sunday, January 11, 2015

Congratulations, Golden Globe Winners for TV

 

Congratulations to all of tonight's winners in the TV categories at the 72nd Annual Golden Globe Awards!

Drama Series: The Affair (Showtime)
Comedy SeriesTransparent (Amazon Originals)
Actor, DramaKevin Spacey, House of Cards (Netflix)
Actress, DramaRuth Wilson, The Affair (Showtime)
Actor, Comedy Jeffrey Tambor, Transparent (Amazon Originals)
Actress, Comedy Gina Rodriguez, Jane the Virgin (The CW)
Actor, Miniseries or Motion Picture Made for TVBilly Bob Thornton, Fargo (FX)
Actress, Miniseries or Motion Picture Made for TVMaggie Gyllenhaal, The Honorable Woman (Sundance TV)
Supporting Actor:  Matt Bomer, The Normal Heart (HBO)
Supporting ActressJoanne Froggatt, Downton Abbey (PBS)


On a side note, kudos to The CW not only for their first win (go, Gina!) but also for the early renewals of Supernatural, The Flash, Arrow, The Vampire Diaries and Jane the Virgin (also Reign and The 100)!

Tuesday, January 6, 2015

Review - MARVEL's Agent Carter


On the big screen, Marvel can seemingly do no wrong.  On the small screen, Marvel's Agents of S.H.I.E.L.D. has gained momentum and seems to finally be coming into its own with stronger, more exciting storylines and action.

Now, during S.H.I.E.L.D's winter hiatus, ABC is re-introducing us to Peggy Carter, the beautiful-but-tough-as-nails S.H.I.E.L.D. agent we first met in Captain America: The First Avenger in Marvel's Agent Carter.  I love me a strong female character who kicks ass in any capacity, so how does Peggy measure up?

THE LOWDOWN
It’s 1946, and post WWII peace has dealt Peggy Carter (Hayley Atwell) a serious blow as she finds herself marginalized into a desk job when the men return home from fighting abroad. Working for the covert SSR (Strategic Scientific Reserve),  Peggy must maintain a tripe life, balancing mundane administrative work, her phone company operator cover story for those in her personal life, including roommate olleen (Ashley Hinshaw (True Blood), and action-packed secret missions for her boss Howard Stark (Dominic Cooper). Also co-stars Shea Whigham (Boardwalk Empire), Lyndsy Forseca (Nikita), Kyle Bornheimer (Brooklyn Nine-Nine), Meagen Fay (Malcolm in the Middle), and Bridget Regan (Jane the Virgin).

 

The great thing about Marvel owning their own stuff is that they can use it in any way they see fit, so I loved seeing the footage of Captain America in various scenes from The First Avenger in a nifty opening montage, showing Peggy's life then and now and how she's coped (or not?) with the loss of her (potentially) great love Steve Rogers (Chris Evans), who (SPOILER ALERT!) seemingly died at the end of the film (Of course he was found frozen in ice decades later, awakened and later reunited with Peggy and shared a sweet relationship with her in her final, elderly years).

Before Agent Carter, there was another spy series that centered around a formidable woman, Alias, starring Jennifer Garner, which, at least in its first couple of seasons, was awesome (and recommended by me for binge-watching), with terrific action sequences, lots of costume changes, bits of humor and wit, and of course tension as Garner's Sydney Bristow tackled with not getting caught in her double life.

 

Agent Carter has many of these same elements, and Atwell is good in the role.  She wears the style of the 40s well, red lips and all.  The character definitely fights an uphill battle daily against most of her male colleagues as they demean and degrade her importance and relevance, and you feel for her and root for her to stay strong, which she does.  I like that we get to meet the man who inspired Howard's son Tony Stark's (played by Robert Downey, Jr. in Iron Man and The Avengers) computer attache Jarvis - here he's Howard's butler Edwin Jarvis (James D'Arcy, Broadchurch), who is a bit of a prim-and-proper comic sidekick for Peggy.

I wish I could say I loved the pilot, but I didn't have as much fun or get pulled in as much as I'd hoped to.  Admittedly, while I acknowledge this is still within a comic book-esque universe, the supernatural elements thrown in kind of seemed out of place here.  And honestly, though the character of Peggy Carter is one to admire as a strong woman in a very-much man's world and one that makes sense to have a series created around, I just don't think she works well as the lead focus of a series, but rather as she was originally established - the companion, the supporting character ... in the case of the Marvel Universe, as Steve Rogers' femme fatale.  I can name other female spy series that work better, at least for me - the aforementioned Alias, the CW's Nikita, and USA's recently cancelled Covert Affairs.

Since this is a short-lived series, and because it may set up important information within the Marvel Universe films and on S.H.I.E.L.D., I'll watch it in its entirety and hope that I get into it more.  But it falls short of being a winner and must-see draw for me.


Marvel's Agent Carter airs Tuesdays at 9pm on ABC.