Man, do I love television. It's weeks like these that remind me of that. True, it's dreaded season finale time which means we are just episodes away from a painfully long summer waiting for our favorite shows to return and take us back to these exciting moments we're being left with. But in the meantime, there's so much good stuff happening, I'm just plain giddy.
Highlights:
Supernatural lives to see Season Eight! And its creator, Erik Kripke, just got his new pilot picked up by NBC ... the one he's doing with J.J. Abrams. Can you say dynamic duo? Of course, we are talking about NBC here, soooo...
Fringe - don't worry, I won't say who but we were treated to THE MOST AMAZING SURPRISE RETURN by someone. I am DYING to say who but I have friends that read this blog that I don't want to spoil it for but I actually stood up and cheered! Oh, and we are getting a final season, the chance for the show to end right, on their terms. Thank you, FOX, for that. Chuck got that and I was so happy. If a great show must end, as they all must eventually, this is the way.
Hawaii Five-0 saw the return tonight of Alex O'Loughlin, who has been sorely missed. I am glad he has gotten help for his painkiller addiction and that we only had to go two episodes without him. Scott Caan, Daniel Dae Kim and Grace Park carried on well but this show works best when the whole Ohana (Hawaiian for family) is together. We were gifted with several classic Steve-Danny arguments (normally in the car, this time by phone) and they were as funny as ever. And it was clearly conveyed throught the writing how much Alex was missed and how great is is to have him back. The preview for next week's finale looks heartbreaking ...
2 Broke Girls finished their freshman season on a high, with Caroline and Max scoring a rave for their cupcakes by none other than Martha Stewart. It was quite a fight to get to her - last minute transport by horse, smuggled dresses, confrontation with an old boyfriend, overcoming family shame - but it was a hilarious journey with a satisfying end. Our own modern day Laverne and Shirley.
Grey's Anatomy had most of our docs passing their boards (sorry, April) and now we must wait to see who stays and who goes. Gotta give them credit: they're keeping the secret very well ... and it's killing me! This show has come through cast changes before but this is a solid group and I hate to lose anyone. From what I've read of the finale, it's going to be another hard one to get through. Two season ago, when the distraught widower shot up the hospital, I had very few episodes of television that was that jaw-dropping and it's two hours I want to watch again but admittedly can't. I have a feeling this season ender may do that again. This show has been on a while and a few years ago it was showing its age but I think it's stronger and better than ever.
Just finished watching Castle's season finale right now and I knew what was coming: the big Castle-Beckett confrontation about how they feel about each other. We knew he loves her. We knew she knew he loves her and, after last week, we were pretty sure he knew she knew he loves her. Tonight he actually told her to her face. And they got it on. At last? Where it goes from there I'm waiting and watching to see. I'm on the fence about them getting together. It hasn't always bode well (Moonlighting, anyone?) but sometimes it has (go Chuck and Sarah on Chuck!). I like "Caskett" and think they make a great team. But I don't want their relationship to change. But I'll keep watching and hey, Nathan Fillion FINALLY has a hit, long-running series, so yay!
And all these shows will be back in the fall so SUPER YAY!!
Still lots of great TV to come this week and next. Then my TiVo gets a slight break before all the great summer shows come back. Always helps summer go by faster. Looking forward to some new shows as well. Please keep checking back in here for my reviews, recaps, opinions, recommendations, etc!
Oh, one thing I ain't happy about AT ALL: ABC Family cancelled Make It or Break It. Loved that show! And now we won't get to see who gets to the Olympics. *sniff* Bad move, net...
Happy viewing!

Monday, May 7, 2012
Thursday, April 26, 2012
Season Finales & Summer Premieres
Alas, tis' that sorrowful time of year when our favorite shows end their season runs, leaving us with a vast summer hiatus to mull over the shocking, how-dare-you!?! character deaths and aching how-do-I-wait-til-fall? cliffhangers while mourning of programs that will not return (will miss you, dear Wisteria Laners).
But have no fear, fellow CPs, for television will supplement us with its rather satisfying summer fare to tide us over.
So turn your eyes to the column on the left to see your shows' season finales and summer premieres are and check back here often for lots of boob-tube goodness!
Better yet, "Follow" me on Twitter (click the link to the right or @TV_Tour_Guide) and on Facebook (http://www.facebook.com/TVTourGuide)!
But have no fear, fellow CPs, for television will supplement us with its rather satisfying summer fare to tide us over.
So turn your eyes to the column on the left to see your shows' season finales and summer premieres are and check back here often for lots of boob-tube goodness!
Better yet, "Follow" me on Twitter (click the link to the right or @TV_Tour_Guide) and on Facebook (http://www.facebook.com/TVTourGuide)!
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season finales,
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Tuesday, April 24, 2012
Review - The L.A. Complex
Ah, Melrose Place, how I've missed you!
Okay, so it's not that show, but The L.A. Complex is definitely a very close relative. How could it not be, what with an impossibly incredible Los Angeles apartment complex full of beautiful young people who all know each other ... some biblically ... whose lives we can't help but get sucked into? Okay, I can't help. What can I say ... I dig shows like this.
In this new CW show, the six main players are all pursuing their various showbiz dreams. There's Abby Vargas (Cassie Steele, Degrassi: The Next Generation) a Canadian transplant whose life is the messiest - completely broke, can't work (illegal immigrant), lives out of her crappy car, long-distance boyfriend who just doesn't understand her dream - yet she manages to look great, be clean and, thanks to her small-time manager, get auditions. Unfortunately, she often messes up her opportunities as well: moments after doing "actually not that bad" at a big one for her favorite director, she pukes all over the place (it's not nerves, just a side effect, but more on that later). Great impression. As the director puts it, "once there's vomit on the piano, the audition's over."
Then we have our other actress, Raquel Westbrook (Jewel Staite, Firefly, Stargate: Atlantis). To say this gal is a bitch is the understatement of the year. Our new Amanda Woodward. OK, let's be fair: she's a former TV star who now can't get arrested. Her contacts have nothing for her, she's considered too old (at 30! Well, it is Hollywood) and no one will let her read for anything (hey, at least she's willing to read!). But seeing as how she's extremely role-choosy, full of excuses, bitter as hell and thinks Tinseltown should be kissing her assets, she ain't helping her cause much. Interesting to see Staite in this shrewish role ... still think of her as sweet Kaylee on Firefly. Huh. Guess I'm doing the same thing to her as is being done to Raquel. Interesting ...
Moving on, there's Connor Lake (Jonathan Patrick Moore, All Saints, Neighbours), the hottie Australian who seems to be the most successful, having had his medical show pilot just picked up for series. He moves out of The Lux (the nickname for the L.A. building centerpiece) to a home he just bought (guess no one told him to maybe wait a season or two before committing to property) but seems quite lonely. I'm guessing he'll be back at the Lux very soon.
Nick Wagner (Joe Dinicol, Life With Derek) is a coffee barista-by-day, struggling stand-up comic-by-night. Very struggling ... he's not funny. Adorable, sweet, always there for his friends, but not funny. As he is harshly told after a tanking his big break at the Improv, he has no point of view and should quit. You know you want to root for him to find his voice and c'mon, you know he will! That's how these shows work, people!
Tariq Muhammad (Benjamin Charles Watson, Soul) is an aspiring rap artist who currently works for a big recording star. He's the typical lowly intern who fetches food and sustains monumental abuse from those around him. When he sneaks one of his own tracks in to an email, he thinks it's curtains for him when he gets busted. But turns out, the artist liked his beat. Of course, Tariq won't get the credit, but in his heart he knows he's done good and needs to just suck it up and stick with it.
Lastly there's Alicia Lowe (Chelan Simmons, Kyle XY), the dancer. She goes to dance class, works out for hours to keep in shape and does well at auditions. But she never seems to book the job (after an audition for an upcoming Usher tour, she tells Nick "I wish I would have heard by now," to which Nick matter-of-factly replies "We all should have heard by now."). Why do we love this horrible business?? At least she's got steady work. Can you guess what she does? Yep. Stripper. Excuse me ... exotic dancer. The stereotype to the max. But hey, looks like she's the answer to Abby's prayers: she can get her new friend a job at the club under the table, so who needs that silly little work Visa thing!
Now to the good stuff. Of course there was one-night-stand sex. Roof sex, no less, between Connor (who funded an elaborate complex party complete with live band, alcohol and ecstasy - did I mention the building has the most amazing central pool lit by blacklight at night?) and Abby. Shockingly current conversation the next morning: Abby asks if Connor wore a condom, he replies no and couldn't she tell, feel that it was just skin (yep, actual dialogue)? Of course not, she declares! She was high on X and that EVERYTHING felt like skin. He says he's clean, was just tested, she says she's clean, not actually tested but she has a boyfriend. He asks if they should get one of those "morning after" pills and offers to pay for the pill and breakfast, showing her that there's at least one good guy in L.A.
I kid you not. That's this show. And I love it!! There were SO many cringing moments: the sad Improv show, the puking at the audition (the side effect I mentioned earlier - the morning after pill makes you incredibly nauseous), the utter bitchiness - and racist-ness - of Raquel. But these are the elements of a guilty pleasure and I'm hooked. Not proud, but definitely hooked.
Can't say the show does Hollywood any justice. I know there are a lot of nasty, mean, ugly people in the business, but I've had a lot of pleasant encounters in my pursuit of the acting dream. I wonder if L.A. Complex will ever show any warmth within the industry or just make Tinseltown a horrible wasteland of bitterness, beat downs and dream killers, making us root for our sextet that much more (well, except maybe Raquel. Did I mention what a bitch she is?). Probably the latter. As I said, nothing really new or ground-breaking here.
Bottom line: Get a complex for this guilty pleasure!
The L.A. Complex airs Tuesdays at 9 p.m. on the CW (the network was actually mentioned within the pilot episode ... shameless!).
Okay, so it's not that show, but The L.A. Complex is definitely a very close relative. How could it not be, what with an impossibly incredible Los Angeles apartment complex full of beautiful young people who all know each other ... some biblically ... whose lives we can't help but get sucked into? Okay, I can't help. What can I say ... I dig shows like this.
In this new CW show, the six main players are all pursuing their various showbiz dreams. There's Abby Vargas (Cassie Steele, Degrassi: The Next Generation) a Canadian transplant whose life is the messiest - completely broke, can't work (illegal immigrant), lives out of her crappy car, long-distance boyfriend who just doesn't understand her dream - yet she manages to look great, be clean and, thanks to her small-time manager, get auditions. Unfortunately, she often messes up her opportunities as well: moments after doing "actually not that bad" at a big one for her favorite director, she pukes all over the place (it's not nerves, just a side effect, but more on that later). Great impression. As the director puts it, "once there's vomit on the piano, the audition's over."
Then we have our other actress, Raquel Westbrook (Jewel Staite, Firefly, Stargate: Atlantis). To say this gal is a bitch is the understatement of the year. Our new Amanda Woodward. OK, let's be fair: she's a former TV star who now can't get arrested. Her contacts have nothing for her, she's considered too old (at 30! Well, it is Hollywood) and no one will let her read for anything (hey, at least she's willing to read!). But seeing as how she's extremely role-choosy, full of excuses, bitter as hell and thinks Tinseltown should be kissing her assets, she ain't helping her cause much. Interesting to see Staite in this shrewish role ... still think of her as sweet Kaylee on Firefly. Huh. Guess I'm doing the same thing to her as is being done to Raquel. Interesting ...
Moving on, there's Connor Lake (Jonathan Patrick Moore, All Saints, Neighbours), the hottie Australian who seems to be the most successful, having had his medical show pilot just picked up for series. He moves out of The Lux (the nickname for the L.A. building centerpiece) to a home he just bought (guess no one told him to maybe wait a season or two before committing to property) but seems quite lonely. I'm guessing he'll be back at the Lux very soon.
Nick Wagner (Joe Dinicol, Life With Derek) is a coffee barista-by-day, struggling stand-up comic-by-night. Very struggling ... he's not funny. Adorable, sweet, always there for his friends, but not funny. As he is harshly told after a tanking his big break at the Improv, he has no point of view and should quit. You know you want to root for him to find his voice and c'mon, you know he will! That's how these shows work, people!
Tariq Muhammad (Benjamin Charles Watson, Soul) is an aspiring rap artist who currently works for a big recording star. He's the typical lowly intern who fetches food and sustains monumental abuse from those around him. When he sneaks one of his own tracks in to an email, he thinks it's curtains for him when he gets busted. But turns out, the artist liked his beat. Of course, Tariq won't get the credit, but in his heart he knows he's done good and needs to just suck it up and stick with it.
Lastly there's Alicia Lowe (Chelan Simmons, Kyle XY), the dancer. She goes to dance class, works out for hours to keep in shape and does well at auditions. But she never seems to book the job (after an audition for an upcoming Usher tour, she tells Nick "I wish I would have heard by now," to which Nick matter-of-factly replies "We all should have heard by now."). Why do we love this horrible business?? At least she's got steady work. Can you guess what she does? Yep. Stripper. Excuse me ... exotic dancer. The stereotype to the max. But hey, looks like she's the answer to Abby's prayers: she can get her new friend a job at the club under the table, so who needs that silly little work Visa thing!
Now to the good stuff. Of course there was one-night-stand sex. Roof sex, no less, between Connor (who funded an elaborate complex party complete with live band, alcohol and ecstasy - did I mention the building has the most amazing central pool lit by blacklight at night?) and Abby. Shockingly current conversation the next morning: Abby asks if Connor wore a condom, he replies no and couldn't she tell, feel that it was just skin (yep, actual dialogue)? Of course not, she declares! She was high on X and that EVERYTHING felt like skin. He says he's clean, was just tested, she says she's clean, not actually tested but she has a boyfriend. He asks if they should get one of those "morning after" pills and offers to pay for the pill and breakfast, showing her that there's at least one good guy in L.A.
I kid you not. That's this show. And I love it!! There were SO many cringing moments: the sad Improv show, the puking at the audition (the side effect I mentioned earlier - the morning after pill makes you incredibly nauseous), the utter bitchiness - and racist-ness - of Raquel. But these are the elements of a guilty pleasure and I'm hooked. Not proud, but definitely hooked.
Can't say the show does Hollywood any justice. I know there are a lot of nasty, mean, ugly people in the business, but I've had a lot of pleasant encounters in my pursuit of the acting dream. I wonder if L.A. Complex will ever show any warmth within the industry or just make Tinseltown a horrible wasteland of bitterness, beat downs and dream killers, making us root for our sextet that much more (well, except maybe Raquel. Did I mention what a bitch she is?). Probably the latter. As I said, nothing really new or ground-breaking here.
Bottom line: Get a complex for this guilty pleasure!
The L.A. Complex airs Tuesdays at 9 p.m. on the CW (the network was actually mentioned within the pilot episode ... shameless!).
Tuesday, April 17, 2012
Firefly Reunion on Castle!
Boy, do I love it when television makes me giddy! I admittedly - and regretfully - was late to the awesome party that was Firefly ... didn't become a fan till it was long off the air, but now I am a dedicated and enthusiastic Browncoat. I was also a fan of the NBC series Chuck starring Adam Baldwin and am currently a big fan of ABC's Castle starring Nathan Fillion.
Last night, all worlds gleefully collided as Baldwin made a hilarious guest appearance on the hit show.
Baldwin played Detective Ethan Slaughter - rightfully named, being the kind of cop he was - dangerous, prone to violence and recklessness, doing any means to achieve his end. Problem was, Fillion's (Rick) Castle, still hurting after learning the truth that (Kate) Beckett, his partner and woman he loves has been lying to him for months about knowing his true feelings for her, opted to shadow Slaughter as his new muse, allowing himself to be put in harm's way repeatedly.
I confess, I wasn't really paying much attention to the case of the week - a father killed his son and tried to frame a local gang for the deed. I was too busy enjoying the onscreen reunion and looking for any nods to Firefly - "easter eggs," I guess you'd call them - and they were there ... or maybe I just saw what I wanted to see. Eh, who cares? I wasn't disappointed!
Baldwin's Slaughter was very much a marriage of his Jayne character - lots of gun play, raw violence and lusting after women - and his Chuck character John Casey - tough-as-nails spy, also with a penchant for violence, clearly in charge. He looked more like the former, scruffy, unshaven, but with much more unruly hair.
Slaughter, with Castle and Beckett's help, got the bad guy in the end and maybe learned that his methods don't always yield the right results. But I don't see him changing his ways so easily. Hope he returns.
I know it's a mission of Fillion's to have a bigger Firefly reunion on his show. Unfortunately, this guest star appearance may not allow for Baldwin to join in that fun (as another character, that is), but you never know. Castle is going strong and Fillion might get his way (fingers crossed!).
That's not to say other Firefly alums are busy with their own work! Check out:
Gina Torres (Zoe) on USA's Suits, returning in June.
Alan Tudyk (Wash) on ABC's Suburgatory, airing now.
Sean Maher (Simon) on ABC Family's Make It or Break It, airing now.
Jewel Staite (Kaylee) on the CW's The L.A. Complex, premiering next Tuesday, April 24.
Summer Glau (River) has been most recently on ABC's Grey's Anatomy.
Morena Baccarin (Inara)on Showtime's Homeland, returning later this year.
Bonus: sweet promo after the credits for May 4th's The Avengers featuring fun, playful, one-upmanship banter between Fillion and Robert Downey, Jr. (Iron Man)
Hope you got to enjoy the mini-reunion! Catch Castle Mondays at 10 p.m. on ABC.
Last night, all worlds gleefully collided as Baldwin made a hilarious guest appearance on the hit show.
Baldwin played Detective Ethan Slaughter - rightfully named, being the kind of cop he was - dangerous, prone to violence and recklessness, doing any means to achieve his end. Problem was, Fillion's (Rick) Castle, still hurting after learning the truth that (Kate) Beckett, his partner and woman he loves has been lying to him for months about knowing his true feelings for her, opted to shadow Slaughter as his new muse, allowing himself to be put in harm's way repeatedly.
I confess, I wasn't really paying much attention to the case of the week - a father killed his son and tried to frame a local gang for the deed. I was too busy enjoying the onscreen reunion and looking for any nods to Firefly - "easter eggs," I guess you'd call them - and they were there ... or maybe I just saw what I wanted to see. Eh, who cares? I wasn't disappointed!
- In Castle's first scene, he is caught playing with dolls ... sorry, action figures ... saying he was working out a scene for his new book. This was just like Wash (Alan Tudyk) in the Firefly pilot episode "Serenity," playing with the dinosaur figures he kept on his console ("taking over this land which they would then call ... This Land.").
- Baldwin had a line during his interrogation of the father, saying the son's activities were his "boy's brand of stupid." In the Firefly episode "Heart of Gold," Fillion had a similar line, when deciding to take on the local bad guy rather than run, he told his charge "You're my kind of stupid."
- To get Slaughter to let him tag along, Castle trades his leather coat. The color? Brown, of course! (Browncoats were what the rebels wore in Firefly).
- Mid-episode, Slaughter made Castle believe that the former had killed someone, later having a good laugh about it. In the Firefly pilot, Mal (Fillion) made Simon (Sean Maher) believe he'd killed Kaylee (Jewel Staite), then the crew had a hearty guffaw at Simon's expense.
- Later, Slaughter throws a gang member into a garbage truck to "question" him about the murder, threatening to kill him by turning on the crusher. In the Firefly episode "Ariel," after Jayne (Baldwin) had betrayed the crew, Mal looked him the airlock and opened the door as they were heading off into space, threatening certain death.
Baldwin's Slaughter was very much a marriage of his Jayne character - lots of gun play, raw violence and lusting after women - and his Chuck character John Casey - tough-as-nails spy, also with a penchant for violence, clearly in charge. He looked more like the former, scruffy, unshaven, but with much more unruly hair.
Slaughter, with Castle and Beckett's help, got the bad guy in the end and maybe learned that his methods don't always yield the right results. But I don't see him changing his ways so easily. Hope he returns.
I know it's a mission of Fillion's to have a bigger Firefly reunion on his show. Unfortunately, this guest star appearance may not allow for Baldwin to join in that fun (as another character, that is), but you never know. Castle is going strong and Fillion might get his way (fingers crossed!).
That's not to say other Firefly alums are busy with their own work! Check out:
Gina Torres (Zoe) on USA's Suits, returning in June.
Alan Tudyk (Wash) on ABC's Suburgatory, airing now.
Sean Maher (Simon) on ABC Family's Make It or Break It, airing now.
Jewel Staite (Kaylee) on the CW's The L.A. Complex, premiering next Tuesday, April 24.
Summer Glau (River) has been most recently on ABC's Grey's Anatomy.
Morena Baccarin (Inara)on Showtime's Homeland, returning later this year.
Bonus: sweet promo after the credits for May 4th's The Avengers featuring fun, playful, one-upmanship banter between Fillion and Robert Downey, Jr. (Iron Man)
Hope you got to enjoy the mini-reunion! Catch Castle Mondays at 10 p.m. on ABC.
Sunday, April 15, 2012
Review - Don't Trust the B---- in Apartment 23
I greatly anticipated seeing this new sitcom, having read good things about it and being a current fan of shows with a similar premise (2 Broke Girls) and similar pacing and bite (Suburgatory).
The series stars Krysten Ritter (Breaking Bad, Gilmore Girls) as Chloe, a seemingly black-hearted con artist who cycles through roommates, moving them in, charging them falsely higher rent and keeping the extra cash for herself, then becoming a horrible presence and doing unspeakably horrid things to drive them out, enabling her to keep their security deposit as a bonus.
Enter her latest "victim" June (Dreama Walker, The Good Wife, Gossip Girl), a doe-eyed, overly optimistic, sunshiny gal from the mid west who, when we meet her, has her life plan on full steam ahead: great new job, gorgeous new apartment, loving fiancé. But within moments, it all goes to hell and she is forced to lift up her chin, put on a grin and start anew.
First up - moving in with Chloe. Chloe seems like a great person to live with - she's fun, worldly and she's besties with with James Van Der Beek (Dawson's Creek), playing/paroding (one hopes) himself here with subtle, self-involved bravado and an all-about-me attitude (to get laid, he often appeases fans by wearing flannel and blasting the Dawson's theme song). It's not until June receives fair warning from neighbor (and roommate #4) Robin (Liza Lapira, Dollhouse, NCIS) that all may not be as it seems. Quite simply, Robin says "don't trust the bitch in apartment 23!" BAM! Got there in just over five minutes in. A good thing when setting up a new show - get right to the point.
Among Chloe's many shenanigans: she walks around naked, eats food that is not her own, has men over for sexual trysts at all hours (though it's all for show - she's not really so promiscuous), serves alcohol to minors and invades private bathroom time. But she is perhaps too quick to underestimate June, who manages to fight back with surprising gusto (for example, to get even for the hiked up rent, June sells all of Chloe's furniture). It's a character trait you don't outwardly expect given her Pollyanna-like personality, but it's a nice twist. And one Chloe is surprised and even impressed by. Not such a pushover after all. Could this be - of all things - the beginning of her very first female friendship?
Later, when she discovers June's fiancé is cheating on her, Chloe does the unthinkable - she seduces him. On June's birthday. On June's birthday cake. But what normally would have been just another antic in Chloe's usual scheme is actually meant to help, showing June (who walks in on them) what a mistake it would be to marry the scumbag. It's Chloe's first selfless act ... and the start of that aforementioned friendship.
So where am I at with this show? Like I said, the premise is a bit like 2 Broke Girls - two ladies from different worlds - one hardened and cynical, the other optimistic and trusting - coming together to form an unlikely friendship. It's a show I'm a big fan of, and Don't Trust the B---- isn't quite there yet for me.
Apt. 23 is also a great match for the Wednesday ABC lineup it has joined, fitting in great with Modern Family, Suburgatory (another favorite of mine), The Middle and Happy Endings, which all have quick pacing and a plethora of imperfect, charmingly flawed characters. It's definitely a good match.
Van Der Beek is a highlight. It's going to be fun to see snippets of his past - nods to the Creek and Varsity Blues in the pilot alone - worked in. Plus, it's capitalizing on a popular trend right now: celebs playing, often self-depricating themselves (see Matt LeBlanc in Episodes, Neil Patrick Harris in the Harold and Kumar films, Bob Saget among others on Entourage).
Ritter has Chloe's point-of view well in hand and she may be the newest person you'll love to hate. But you can also see that the writers are going to play around with her discovering what it's like to actually be friends with the person she's living with rather that sabotaging them at every turn. That does seems to go against the very premise of the show it was touted to be, set up quite clearly in early promos (a montage of "former roommates" reviled the many horrible things Chloe did to them to drive them out). So where will the show go from here if it's to deviate from that right off the bat?
I'm going to stick with Apt. 23 for at least a couple more episodes to see exactly where we're going to go. Didn't love it outright like I thought I would, but I see snippets of promise. And who can possibly resist "The Beek from the Creek?"
Bottom line: give a little trust to the gals in Apt. 23 ... for now.
Don't Trust the B---- in Apartment 23 airs Wednesdays at 9:30 p.m. on ABC.
Sunday, March 25, 2012
Mad Men Returns!
At last! One of television's most compelling series has returned after a ridiculously long hellatus. I was thankful for the "previously on" recap, though I could have used a lot more. Really, all I had remembered from last season's finale was Don's unexpected proposal to secretary Megan. So I was very much looking forward to catching up on where we left off.
Time hasn't only passed for us, but also for the MM crew - though it's not specified how much. Enough for Don (Jon Hamm) and Megan (Jessica Paré) to have gotten married and still be very much in the honeymoon can't-keep-their-hands-off-each-other phase, Pete (Vincent Kartheiser) to have moved to the burbs (life now includes "an acre of land, a wife, a child ...") and Joan (Christina Hendricks) to have given birth to son Kevin (still married to her doctor despite Roger (John Slattery) being the baby-daddy).
Some things haven't changed: Roger is still a lush, Pete is still an uptight douche, Peggy (Elisabeth Moss) still asserts her mind but feels ever-slighted and lacking deserved respect by her peers. The show still has its spectacular production design, nailing the 60s time period and capturing the decor and temperament to perfection. Megan seems to be the most representative of the latter part of the decade, free in her modern style and fearless in her expression. Case in point: gifting her hubby with a sexy serenade at Don's surprise birthday party (in their luxury high-rise apartment, no less). But is her confidence real or a facade? Read on ...
Dear Don's turning 40, but you'd think he was turning 60 the way he carries himself. At times he feels so very tired. Another sign of the times: 40 seemed a much older age back then, given that the average life span was shorter than these days (when Don asked his son how old he'd be when the kid turned 40, his son replied "you'll be dead."). Don wasn't thrilled at Megan's surprise and told her so after the guests had gone, even saying he didn't appreciate being embarrassed. His attitude certainly put a downer ending to the festive evening.
By the way, Megan knows the truth about Don's true identity (he's actually been 40 for half a year). I'm not sure if that's a new revelation or if that came about last season. She's definitely in the minority on that tidbit.
Don definitely seems like a changed man- happy, kind, patient (despite the glibness about his age) - and Peggy for one isn't thrilled. After a pitch meeting where Don appeased the client instead of challenging them, Peggy admitted that the kinder, gentler Don concerns her ("I don't recognize that man."). It'll be interesting to see how long this calm demeanor lasts.
Pete, on the other hand, is not a happy man. He seems trapped by his home life and appears to still be low man on the partner totem pole. His ire is mostly directed at Roger, hating the man for cutting in on his meetings and "persuading" co-worker and TV department head Harry (Rich Sommer) to switch offices (the bribe? $1,100). Pete feels he merits a larger office beacuse he brings in all the new business and should therefore have it - without Roger's interference. Pete's professional journey has never seemed like one wrought with success. Is his time coming? And if so, will it be deserved?
Joan loves motherhood but is ready to return to work. Her position at the company, however, may not be secure, especially after her mother, who has been helping out with the baby, points out an ad in the paper for new help at the agency. When Joan stops by with the baby for a visit, the "new girl" doesn't even know who she is. And oh, how awkward some were around the baby - Peggy looked clueless, Pete asked "what's that?" (clearly some were made for parenthood more than others). At least Lane (Jared Harris) assures her that he's been completely "adrift" without her.
As for Megan, working at SCDP isn't all ideal. Don's thrilled to have her there, but between male co-workers talking sexually about her behind her back and others making fun of her party performance and assuming she has a hidden agenda, it makes her physically ill and insecure - a chink in the otherwise seeming confidence. You can't help but feel bad for her.
Not making an appearance in the 2-hour return is Don's shrewish ex Betty (January Jones) - or "Morticia," as Don refers to her. The character is one of the most unlikeable of the bunch, especially after last season, but she does add a certain tone to the show. Curious to see where she is taken to this season.
By the end of the premiere, you feel pretty much back in swing with the show and its characters and anticipation for the coming season is peaked. It'd be hard to top last season's brilliant "The Suitcase," but I look forward to finding out what's in store for the crew at Sterling Cooper Draper Price. What new accounts will come their way, and what new players? Will Don and Megan stay blissful in marriage or will he return to his adulterous ways? Will the agency hire its first African-American employee?
Tune in and find out when Mad Men airs every Sunday @ 9 p.m. on AMC.
Time hasn't only passed for us, but also for the MM crew - though it's not specified how much. Enough for Don (Jon Hamm) and Megan (Jessica Paré) to have gotten married and still be very much in the honeymoon can't-keep-their-hands-off-each-other phase, Pete (Vincent Kartheiser) to have moved to the burbs (life now includes "an acre of land, a wife, a child ...") and Joan (Christina Hendricks) to have given birth to son Kevin (still married to her doctor despite Roger (John Slattery) being the baby-daddy).
Some things haven't changed: Roger is still a lush, Pete is still an uptight douche, Peggy (Elisabeth Moss) still asserts her mind but feels ever-slighted and lacking deserved respect by her peers. The show still has its spectacular production design, nailing the 60s time period and capturing the decor and temperament to perfection. Megan seems to be the most representative of the latter part of the decade, free in her modern style and fearless in her expression. Case in point: gifting her hubby with a sexy serenade at Don's surprise birthday party (in their luxury high-rise apartment, no less). But is her confidence real or a facade? Read on ...
Dear Don's turning 40, but you'd think he was turning 60 the way he carries himself. At times he feels so very tired. Another sign of the times: 40 seemed a much older age back then, given that the average life span was shorter than these days (when Don asked his son how old he'd be when the kid turned 40, his son replied "you'll be dead."). Don wasn't thrilled at Megan's surprise and told her so after the guests had gone, even saying he didn't appreciate being embarrassed. His attitude certainly put a downer ending to the festive evening.
By the way, Megan knows the truth about Don's true identity (he's actually been 40 for half a year). I'm not sure if that's a new revelation or if that came about last season. She's definitely in the minority on that tidbit.
Don definitely seems like a changed man- happy, kind, patient (despite the glibness about his age) - and Peggy for one isn't thrilled. After a pitch meeting where Don appeased the client instead of challenging them, Peggy admitted that the kinder, gentler Don concerns her ("I don't recognize that man."). It'll be interesting to see how long this calm demeanor lasts.
Pete, on the other hand, is not a happy man. He seems trapped by his home life and appears to still be low man on the partner totem pole. His ire is mostly directed at Roger, hating the man for cutting in on his meetings and "persuading" co-worker and TV department head Harry (Rich Sommer) to switch offices (the bribe? $1,100). Pete feels he merits a larger office beacuse he brings in all the new business and should therefore have it - without Roger's interference. Pete's professional journey has never seemed like one wrought with success. Is his time coming? And if so, will it be deserved?
Joan loves motherhood but is ready to return to work. Her position at the company, however, may not be secure, especially after her mother, who has been helping out with the baby, points out an ad in the paper for new help at the agency. When Joan stops by with the baby for a visit, the "new girl" doesn't even know who she is. And oh, how awkward some were around the baby - Peggy looked clueless, Pete asked "what's that?" (clearly some were made for parenthood more than others). At least Lane (Jared Harris) assures her that he's been completely "adrift" without her.
As for Megan, working at SCDP isn't all ideal. Don's thrilled to have her there, but between male co-workers talking sexually about her behind her back and others making fun of her party performance and assuming she has a hidden agenda, it makes her physically ill and insecure - a chink in the otherwise seeming confidence. You can't help but feel bad for her.
Not making an appearance in the 2-hour return is Don's shrewish ex Betty (January Jones) - or "Morticia," as Don refers to her. The character is one of the most unlikeable of the bunch, especially after last season, but she does add a certain tone to the show. Curious to see where she is taken to this season.
By the end of the premiere, you feel pretty much back in swing with the show and its characters and anticipation for the coming season is peaked. It'd be hard to top last season's brilliant "The Suitcase," but I look forward to finding out what's in store for the crew at Sterling Cooper Draper Price. What new accounts will come their way, and what new players? Will Don and Megan stay blissful in marriage or will he return to his adulterous ways? Will the agency hire its first African-American employee?
Tune in and find out when Mad Men airs every Sunday @ 9 p.m. on AMC.
Monday, March 19, 2012
Recap - WonderCon 2012
Thanks to renovations happening up north in its usual San Francisco home, this year's WonderCon was held in Anaheim, Calif. and thanks to a good friend's birthday present, I was able to attend Saturday and Sunday, partaking in all the geeky and mainstream goodness offered to us humble fans.
Saturday was all about the big screen, offering sneak peeks and trailer premieres for a wide range of - for the most part - great looking, entertaining films: Prometheus, The Amazing Spider-Man, Abraham Lincoln: Vampire Hunter, Looper, Lockout, Snow White and the Huntsman, Resident Evil: Retribution, Sound of My Voice and Battleship. The panels were fun and the guests - including Charlize Theron, Kristen Stewart, Michael Fastbender, Peter Berg, Joseph Gordon-Levitt, Maggie Grace and Sir Ridley Scott - shared stories from the sets, little teases, etc.
But this is a bog about the small screen so Sunday was really my day. On the menu: ALCATRAZ, FRINGE and ONCE UPON A TIME.
ALCATRAZ
Stopping by for the Alcatraz panel were stars Sarah Jones (Det. Rebecca Madsen), Jorge Garcia (Dr. Diego Soto), Parminder Nagra (Dr. Lucy Banerjee), Jonny Coyne (Warden Edwin James) and Robert Forster (Ray Archer); co-creators Steven Lilien and Bryan Wynbrandt; and executive producers Jennifer Johnson and Daniel Pyne.
They opened with an exclusive sneak peak of the season finale (Monday, March 26 at 8 p.m. on FOX), which looks to be action-packed and promises to both answer season-long questions and pose more for the next season to (hopefully) come. Questions/information included:
FRINGE
This was the panel I was most looking forward to. I've been a fan of this show from day one and have waited white-knuckled every spring for renewal. It's always been a bubbled show but has lived on, and hopefully, if FOX is to abandon it, they'll at least grant it a chance to wrap up the story.
The future of the show was actually posed to the panel, which included executive producer/showrunner Jeff Pinker, executive producer Joel Wyman and stars Joshua Jackson (Peter Bishop), John Noble (Walter Bishop), Blair Brown (Nina Sharp) and Seth Gabel (Lincoln Lee). Wyman said with great confidence "We don't even think about those thinhs," to which the cast let out hearty guffaws and Noble quietly stated "Bulls**t."
Noble himself was a riot. The panel first screened a collection of "Walterisms" - a montage of the character's many often inappropriate but always hysterical sayings, comments, etc. All at the table insisted that Noble in fact IS Walter, which is why he plays him so well. Regarding whether the cast ever gets used to the weirdness of the events in the episodes, while Gabel said it would be really wrong if they got used to it, Jackson said they don't have to get used to the weirdness on the set because Noble is the weirdness.
Jackson had a blast and himself was hilariously entertaining. For example:
Ultimately, the panel said that while they do battle the network at times, their priority of storytelling is for us, the fans, and they stick with that till the end, whenever that may be. Here's hoping for season five and a chance to end the show on their terms.
Catch Fringe Friday nights at 9 p.m. on FOX.
ONCE UPON A TIME
We were first treated to a screening of the episode "Heart of Darkness," which would air later that night on ABC. Watching on the big screen in a room filled with dedicated fans was awesome. Cheers and whoops arose every time Robert Carlyle (Mr. Gold/Rumplestilskin) appeared on screen, everyone laughed in unison and thoroughly enjoyed the showing.
After, co-creators and executive producers Adam Horowitz and Eddy Kitsis came out to express their gratitude for all the love and support for the show and answer questions. I wasn't aware of it but apparently there are quite a few LOST "easter eggs" strewn throughout the show (both were executive producers on the hit series), so now I'll be paying attention.
They said they received great support for the show from ABC right from the start - after all, what better network to host a show about fairy tales than the one owned by Disney? Both men said the net lets them pretty much do anything they want, and that gives them great story-telling freedom.
Fairy tales/stories/characters they hope to visit in the future include Ariel (The Little Mermaid), Peter Pan, Rapunzel and Mulan. They said there are still lots of people to visit both in Storybrooke and Fairy Tale Land and they don't want to close off any doors to who could appear.
SPOILER ALERT!
The finale, being filmed this week, will feature the return of a beloved character - the Huntsman, who was killed off earlier in the season. "We gotta warn you," joked Kitsis, " He's gotten more handsome." We will also learn more about the mysterious August, they have a plan for the town's doctor and the theme of love and how it's possibly the way for the trapped citizens to escape the curse will be explored further in this and future seasons.
There's no doubt ABC is bringing this gem of a show back for a second season. Be sure to catch it every Sunday at 8 p.m. on ABC.
Keep your fingers crossed that I make it to Comic-Con this July!
Saturday was all about the big screen, offering sneak peeks and trailer premieres for a wide range of - for the most part - great looking, entertaining films: Prometheus, The Amazing Spider-Man, Abraham Lincoln: Vampire Hunter, Looper, Lockout, Snow White and the Huntsman, Resident Evil: Retribution, Sound of My Voice and Battleship. The panels were fun and the guests - including Charlize Theron, Kristen Stewart, Michael Fastbender, Peter Berg, Joseph Gordon-Levitt, Maggie Grace and Sir Ridley Scott - shared stories from the sets, little teases, etc.
But this is a bog about the small screen so Sunday was really my day. On the menu: ALCATRAZ, FRINGE and ONCE UPON A TIME.
ALCATRAZ
They opened with an exclusive sneak peak of the season finale (Monday, March 26 at 8 p.m. on FOX), which looks to be action-packed and promises to both answer season-long questions and pose more for the next season to (hopefully) come. Questions/information included:
- Why Alcatraz was chosen as the setting for the show - Say the word and it immediately evokes mystery and danger, plus rumblings of conspiracy ... after all, the order to close the prison on March 21, 1963 was signed by a Kennedy (Robert) - a name synonymous with conspiracy
- Will we find out what's behind "The Door"? - Yes. Pyne said everyone had goosebumps when they shot the reveal. Forster got a hearty laugh from the audience when he boasted that he already knows what's behind it.
- Past inmates/escapees will be returning for the finale, which will end with a tremendous cliffhanger.
- Apparently Sam Neill (Emerson Hauser) enjoys the scenes where he gets to shoot people. In fact, he would rather have fewer lines and more gunplay!
- Should viewers expect more deaths of the characters? - Be prepared. "This is Alcatraz ... things can always get worse," Wynbrandt warned.
- How do the characters get from the Rock to the mainland so friggin quickly? - While the panel insists the actual boat ride takes about 10 minutes, next season they may try out the Alcatraz jet ski... or Rebecca's dolphin.
- Most exciting of all - the finale features an exact recreation of the famous San Francisco car chase from the 1968 film Bullitt - one of the most thrilling auto chase scenes in cinema history. But while the original film took 9 days to film, the Alcatraz crew did it in three. Many locals who saw the original scene film came out to watch the remake.
FRINGE
The future of the show was actually posed to the panel, which included executive producer/showrunner Jeff Pinker, executive producer Joel Wyman and stars Joshua Jackson (Peter Bishop), John Noble (Walter Bishop), Blair Brown (Nina Sharp) and Seth Gabel (Lincoln Lee). Wyman said with great confidence "We don't even think about those thinhs," to which the cast let out hearty guffaws and Noble quietly stated "Bulls**t."
Noble himself was a riot. The panel first screened a collection of "Walterisms" - a montage of the character's many often inappropriate but always hysterical sayings, comments, etc. All at the table insisted that Noble in fact IS Walter, which is why he plays him so well. Regarding whether the cast ever gets used to the weirdness of the events in the episodes, while Gabel said it would be really wrong if they got used to it, Jackson said they don't have to get used to the weirdness on the set because Noble is the weirdness.
Jackson had a blast and himself was hilariously entertaining. For example:
- Question: "Do you think Lincoln will end up with either of the Olivias in the various universes?" Gabel: "I hope I end up with at least one of them." Jackson: "If he ends up with both, we'd have to move to cable."
- Late in the panel, an audience member wanted to know if the cast knows what's coming plot-wise ahead of time. Jackson: "I've learned more in the last ten minutes than I have all season!"
- Regarding character deaths on the show and how many return, Jackson had this to say: "Is anyone ever really dead on Fringe? Actually, the best way to be brought back is to die a noble death." He added that a good phone call for a cast member to receive is "Congratulations! We're killing you off!"
- When asked if there are any comparisons between Peter and Jackson's character Pacey on Dawson's Creek, he said that they're both human. Then later, when it came up that Peter can't seem to make up his mind about his relationship with Olivia, a lightbulb went off - "That's it! [Pacey] couldn't make up his f**king mind either!" Seems the guys he plays sure can waffle!
Ultimately, the panel said that while they do battle the network at times, their priority of storytelling is for us, the fans, and they stick with that till the end, whenever that may be. Here's hoping for season five and a chance to end the show on their terms.
Catch Fringe Friday nights at 9 p.m. on FOX.
ONCE UPON A TIME
We were first treated to a screening of the episode "Heart of Darkness," which would air later that night on ABC. Watching on the big screen in a room filled with dedicated fans was awesome. Cheers and whoops arose every time Robert Carlyle (Mr. Gold/Rumplestilskin) appeared on screen, everyone laughed in unison and thoroughly enjoyed the showing.
After, co-creators and executive producers Adam Horowitz and Eddy Kitsis came out to express their gratitude for all the love and support for the show and answer questions. I wasn't aware of it but apparently there are quite a few LOST "easter eggs" strewn throughout the show (both were executive producers on the hit series), so now I'll be paying attention.
They said they received great support for the show from ABC right from the start - after all, what better network to host a show about fairy tales than the one owned by Disney? Both men said the net lets them pretty much do anything they want, and that gives them great story-telling freedom.
Fairy tales/stories/characters they hope to visit in the future include Ariel (The Little Mermaid), Peter Pan, Rapunzel and Mulan. They said there are still lots of people to visit both in Storybrooke and Fairy Tale Land and they don't want to close off any doors to who could appear.
SPOILER ALERT!
The finale, being filmed this week, will feature the return of a beloved character - the Huntsman, who was killed off earlier in the season. "We gotta warn you," joked Kitsis, " He's gotten more handsome." We will also learn more about the mysterious August, they have a plan for the town's doctor and the theme of love and how it's possibly the way for the trapped citizens to escape the curse will be explored further in this and future seasons.
There's no doubt ABC is bringing this gem of a show back for a second season. Be sure to catch it every Sunday at 8 p.m. on ABC.
Keep your fingers crossed that I make it to Comic-Con this July!
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